Robin's 5 Poems
The Buddha’s Last Instruction
Make of yourself a light,”
said the Buddha,
before he died.
I think of this every morning
as the east begins
to tear off its many clouds
of darkness, to send up the first
signal — a white fan
streaked with pink and violet,
even green.
An old man, he lay down
between two sala trees,
and he might have said anything,
knowing it was his final hour.
The light burns upward,
it thickens and settles over the fields.
Around him, the villagers gathered
and stretched forward to listen.
Even before the sun itself
hangs, disattached, in the blue air,
I am touched everywhere
by its ocean of yellow waves.
No doubt he thought of everything
that had happened in his difficult life.
And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire —
clearly I’m not needed,
yet I feel myself turning
into something of inexplicable value.
Slowly, beneath the branches,
he raised his head.
He looked into the faces of that frightened crowd.
said the Buddha,
before he died.
I think of this every morning
as the east begins
to tear off its many clouds
of darkness, to send up the first
signal — a white fan
streaked with pink and violet,
even green.
An old man, he lay down
between two sala trees,
and he might have said anything,
knowing it was his final hour.
The light burns upward,
it thickens and settles over the fields.
Around him, the villagers gathered
and stretched forward to listen.
Even before the sun itself
hangs, disattached, in the blue air,
I am touched everywhere
by its ocean of yellow waves.
No doubt he thought of everything
that had happened in his difficult life.
And then I feel the sun itself
as it blazes over the hills,
like a million flowers on fire —
clearly I’m not needed,
yet I feel myself turning
into something of inexplicable value.
Slowly, beneath the branches,
he raised his head.
He looked into the faces of that frightened crowd.
In Blackwater Woods
Look, the trees
are turning
their own bodies
into pillars
of light,
are giving off the rich
fragrance of cinnamon
and fulfillment,
the long tapers
of cattails
are bursting and floating away over
the blue shoulders
of the ponds,
and every pond,
no matter what its
name is, is
nameless now.
Every year
everything
I have ever learned
in my lifetime
leads back to this: the fires
and the black river of loss
whose other side
is salvation,
whose meaning
none of us will ever know.
To live in this world
you must be able
to do three things:
to love what is mortal;
to hold it
against your bones knowing
your own life depends on it;
and, when the time comes to let it
go,
to let it go.
Everyday
I see or hear
something
that more or less
kills me
with delight,
that leaves me
like a needle
in the haystack
of light.
It was what I was born for —
to look, to listen,
to lose myself
inside this soft world —
to instruct myself
over and over
in joy,
and acclamation.
Nor am I talking
about the exceptional,
the fearful, the dreadful,
the very extravagant —
but of the ordinary,
the common, the very drab,
the daily presentations.
Oh, good scholar,
I say to myself,
how can you help
but grow wise
with such teachings
as these —
the untrimmable light
of the world,
the ocean’s shine,
the prayers that are made
out of grass?
At Blackwater Pond
At Blackwater Pond the tossed waters have settled
after a night of rain.
I dip my cupped hands. I drink
a long time. It tastes
like stone, leaves, fire. It falls cold
into my body, waking the bones. I hear them
deep inside me, whispering
oh what is that beautiful thing
that just happened?
Some Questions You Might Ask
Is the soul solid, like iron?
Or is it tender and breakable, like
the wings of a moth in the beak of the owl?
Who has it, and who doesn’t?
I keep looking around me.
The face of the moose is as sad
as the face of Jesus.
The swan opens her white wings slowly.
In the fall, the black bear carries leaves into the darkness.
One question leads to another.
Does it have a shape? Like an iceberg?
Like the eye of a hummingbird?
Does it have one lung, like the snake and the scallop?
Why should I have it, and not the anteater
who loves her children?
Why should I have it, and not the camel?
Come to think of it, what about the maple trees?
What about the blue iris?
What about all the little stones, sitting alone in the moonlight?
What about roses, and lemons, and their shining leaves?
What about the grass?
Charlie's 5 Poems
Gethsemane
The grass never sleeps.
Or the roses.
Nor does the lily have a secret eye that shuts until morning.
Jesus said, wait with me. But the disciples slept.
The cricket has such splendid fringe on his feet,
and it sings, have you noticed, with its whole body,
and heaven knows if it ever sleeps.
Jesus said, wait with me. And maybe the stars did, maybe
the wind wound itself into a silver tree, and didn’t move.
Maybe the lake far away, where once he walked
as on a blue pavement,
lay still and waited, wild awake.
Oh the dear bodies, slumped and eye-shut, that could not
keep that vigil, how they must have wept,
so utterly human, knowing this too
must be part of the story.
Wild Geese
You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about your despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting --
over and over announcing your place
in the family of things.
The Journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice--
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do--
determined to save
the only life you could save.
Praying
It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch
a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway
into thanks, and a silence in which
another voice may speak.
Six Recognitions of the Lord
1.
I know a lot of fancy words.
I tear them from my heart and my tongue.
Then I pray.
2.
I lounge on the grass, that’s all. So
simple. Then I lie back until I am
inside the cloud that is just above me
but very high, and shaped like a fish.
Or, perhaps not. Then I enter the place
of not-thinking, not-remembering, not-
wanting. When the blue jay cries out his
riddle, in his carping voice, I return.
But I go back, the threshold is always
near. Over and back, over and back. Then
I rise. Maybe I rub my face as though I
have been asleep. But I have not been
asleep. I have been, as I say, inside
the cloud, or, perhaps, the lily floating
on the water. Then I go back to town,
to my own house, my own life, which has
now become brighter and simpler, some-
where I have never been before.
Six Recognitions of the Lord
1.
I know a lot of fancy words.
I tear them from my heart and my tongue.
Then I pray.
2.
I lounge on the grass, that’s all. So
simple. Then I lie back until I am
inside the cloud that is just above me
but very high, and shaped like a fish.
Or, perhaps not. Then I enter the place
of not-thinking, not-remembering, not-
wanting. When the blue jay cries out his
riddle, in his carping voice, I return.
But I go back, the threshold is always
near. Over and back, over and back. Then
I rise. Maybe I rub my face as though I
have been asleep. But I have not been
asleep. I have been, as I say, inside
the cloud, or, perhaps, the lily floating
on the water. Then I go back to town,
to my own house, my own life, which has
now become brighter and simpler, some-
where I have never been before.
Thirst
Another morning and I wake with thirst
for the goodness I do not have. I walk
out to the pond and all the way God has
given us such beautiful lessons. Oh Lord,
I was never a quick scholar but sulked
and hunched over my books past the hour
and the bell; grant me, in your mercy,
a little more time. Love for the earth
and love for you are having such a long
conversation in my heart. Who knows what
will finally happen or where I will be sent,
yet already I have given a great many things
away, expecting to be told to pack nothing,
except the prayers which, with this thirst,
I am slowy learning.
About Mary Oliver
Born in a small town in Ohio, Mary Oliver published her first book of poetry in 1963 at the age of 28. Over the course of her long career, she received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She led workshops and held residencies at various colleges and universities, including Bennington College, where she held the Catharine Osgood Foster Chair for Distinguished Teaching. She died in 2019.
MO in New Yorker: What Mary Oliver's Critics Don't Understand
https://www.newyorker.com/magazine/2017/11/27/what-mary-olivers-critics-dont-understand
Brain Pickings...Upstream
https://www.brainpickings.org/2016/10/12/mary-oliver-upstream-creativity-power-time/
It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. If I have a meeting with you at three o’clock, rejoice if I am late. Rejoice even more if I do not arrive at all.
There is no other way work of artistic worth can be done. And the occasional success, to the striver, is worth everything. The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
She seeks refuge in the forests that fringe the ocean, for her a kind of secular chapel, where she discovers the marvel of nature renewing itself, as in this scene of a turtle burrowing a nest for her eggs: “She sees me, and does not move. The eyes, though they throw small light, are deeply alive and watchful. If she had to die in this hour and for this enterprise, she would, without hesitation. She would slide from life into death, still with that pin of light in each uncordial eye, intense and as loyal to the pumping of breath as anything in this world.”
Mary Oliver on Emerson (Upstream)
http://www.masspoetry.org/literarylegaciesemerson
(Emerson's poem, Gnothi Seauton (Know Thyself)
See: https://thymindoman.com/2017/08/11/emersons-poem-gnothi-seauton-know-thyself/#more-3749)
IV
Give up to thy soul—–
Let it have its way—–
It is, I tell thee, God himself,
The selfsame One that rules the Whole,
Tho’ he speaks thro’ thee with a stifled voice,
And looks through thee, shorn of his beams.
But if thou listen to his voice,
If thou obey the royal thought,
It will grow clearer to thine ear,
More glorious to thine eye.
The clouds will burst that veil him now
And thou shalt see the Lord.
~~Ralph Waldo Emerson
About Mary Oliver
Born in a small town in Ohio, Mary Oliver published her first book of poetry in 1963 at the age of 28. Over the course of her long career, she received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She led workshops and held residencies at various colleges and universities, including Bennington College, where she held the Catharine Osgood Foster Chair for Distinguished Teaching. She died in 2019.
MO in New Yorker: What Mary Oliver's Critics Don't Understand
https://www.newyorker.com/magazine/2017/11/27/what-mary-olivers-critics-dont-understand
Brain Pickings...Upstream
https://www.brainpickings.org/2016/10/12/mary-oliver-upstream-creativity-power-time/
It is six A.M., and I am working. I am absentminded, reckless, heedless of social obligations, etc. It is as it must be. The tire goes flat, the tooth falls out, there will be a hundred meals without mustard. The poem gets written. I have wrestled with the angel and I am stained with light and I have no shame. Neither do I have guilt. My responsibility is not to the ordinary, or the timely. It does not include mustard, or teeth. It does not extend to the lost button, or the beans in the pot. My loyalty is to the inner vision, whenever and howsoever it may arrive. If I have a meeting with you at three o’clock, rejoice if I am late. Rejoice even more if I do not arrive at all.
There is no other way work of artistic worth can be done. And the occasional success, to the striver, is worth everything. The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time.
She seeks refuge in the forests that fringe the ocean, for her a kind of secular chapel, where she discovers the marvel of nature renewing itself, as in this scene of a turtle burrowing a nest for her eggs: “She sees me, and does not move. The eyes, though they throw small light, are deeply alive and watchful. If she had to die in this hour and for this enterprise, she would, without hesitation. She would slide from life into death, still with that pin of light in each uncordial eye, intense and as loyal to the pumping of breath as anything in this world.”
Mary Oliver on Emerson (Upstream)
http://www.masspoetry.org/literarylegaciesemerson
(Emerson's poem, Gnothi Seauton (Know Thyself)
See: https://thymindoman.com/2017/08/11/emersons-poem-gnothi-seauton-know-thyself/#more-3749)
IV
Give up to thy soul—–
Let it have its way—–
It is, I tell thee, God himself,
The selfsame One that rules the Whole,
Tho’ he speaks thro’ thee with a stifled voice,
And looks through thee, shorn of his beams.
But if thou listen to his voice,
If thou obey the royal thought,
It will grow clearer to thine ear,
More glorious to thine eye.
The clouds will burst that veil him now
And thou shalt see the Lord.
~~Ralph Waldo Emerson
Emerson heirs: Joyce Carol Oates and Mary Oliver
https://www.barnesandnoble.com/review/emersons-heirs-joyce-carol-oates-and-mary-oliver
Yet two new collections of prose by these writers show they are not opposing candidates but actually spring from the same party: they are ardent latter-day Transcendentalists. They begin and end with Emerson’s notion that “the theory of books is noble.” Whether the pure experience that is transformed “by the new arrangement of [the writer’s] own mind” is that of viewing natural phenomena (Oliver) or falling under the novelist’s spell (Oates), what results is the transubstantiation that is literature. Once in story form, “it now endures, it now flies, it now inspires.” Joyce Carol Oates and Mary Oliver are running on the same platform.
Nature and Transcendence...Emerson and Mary Oliver
https://www.grin.com/document/323041
According to Johnson (2005), the American transcendentalist Ralph Waldo Emerson had an important influence on Mary Oliver’s poetry. However, a study that deals with the notions of influence requires a lengthy research. Therefore, this paper will focus on a comparatively easier subject. Thus, the themes of ‘nature’ and ‘transcendence’ in Emerson’s essays, as well as in the selected poems of Oliver will be examined to find out, whether there are similarities or differences between their perspectives. Using all of Emerson and Oliver’s works would go beyond the scope of this work, thereupon, I selected a few essays and poems from each author. First of all, I will deal with Emerson’s essays ‘Oversoul’, ‘Nature’, ‘The Methods of Nature’ and ‘Self-Reliance’. For the chapter that focuses on Mary Oliver’s poetry I chose poems from three differnt books, namely, from ‘Swan’ (2010 [e]), ‘Why I Wake Early’ (2004 [f]) and ‘Wild Geese’ (2004 [g]).
Review of Upstream...Star Tribune
http://www.startribune.com/review-upstream-selected-essays-by-mary-oliver/396229271/
Review of Upstream...Christian Science Monitor
https://www.csmonitor.com/Books/Book-Reviews/2016/1019/Upstream-places-poet-Mary-Oliver-in-her-arena-of-delight
“Knowledge has entertained me and it has shaped me and it has failed me,” she writes in another essay here, “Winter Hours.” “Something in me still starves. In what is probably the most serious inquiry of my life, I have begun to look past reason, past the provable, in other directions. Now I think there is only one subject worth my attention and that is the precognition of the spiritual side of the world and, within this recognition, the condition of my own spiritual state. I am not talking about having faith necessarily, although one hopes to. What I mean by spirituality is not theology, but attitude.”
Review of Upstream...Waco Public Radio
https://www.kwbu.org/post/likely-stories-upstream-selected-essays-mary-oliver#stream/0
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